The word bardo literally means "an interval between two things". 'Bar' means 'interval' and 'do' means 'two'. We can think of this interval in a spatial or temporal way. If there are two houses, the space between them is a bardo. The period between sunrise and sunset, the interval of daylight, is a bardo. A bardo can be of long or short duration, of wide or narrow expanse.
On September 17, we had a bardo puja done for Keenan at lama Wangdu’s monastery. The ceremony lasted from 10 am to 5 pm with a lunch interval.
Among those present were Yanik, Tsering, and Vidhea from Passage, Keenan’s Tibetan home stay family, Tsering and her teachers of Tibetan medicine, yoga and language. Other friends who had met Keenan were also at her ceremony
It was a beautiful, moving ceremony and, we hope, we were able to catch at least an essence of it in the video and the photos we sent her family in the US.
May Keenan’s next incarnation be blessed and joyous. I am sure that her indomitable, free spirit and passion will always exist.
Greg Ogden: Personal Passage
Greg participated in a Personal Passage for 8 weeks. A friendly, affable, easy-to-please young man, the focus of his passage was the Tibetan language. He managed to complete 104 hours and will be receiving 12 credits from his university. This will be the last of his graduation requirements with a BA in philosophy and he would like to pursue further studies in Tibetan language and Buddhist philosophy. He says, “I've caught the Kathmandu bug and I'm sure I'll be back when circumstances allow. I'm forever grateful to Passage Project and everyone that helped make this possible and thoroughly enjoyable.”
Katrina Orcino: Personal Passage
Katrina arrived on October 7 to participate in a 9-week Personal Passage. Architecture is her focus but mainly on the psychology of human-environment interactions, or ways in which the built environment affects people occupying it, and vice versa. Her studies are in Kathmandu valley but, for a week, she went up to the Everest Khumbu region to work at the Sherpa Heritage House. She says, ‘For the past two-and-a-half weeks, I had the once-in-a-lifetime opportunity to help restore and preserve one of the last remaining traditional Sherpa homes in the Khumjung village of the Everest region. I cleaned layers and layers of dust off of many of the home's household goods, tools, and art, such as wall paintings, statues, and woodcarvings. It was interesting to imagine how these items were used hundreds of years ago, and yet still retain their traditional charm today. It was an honor and privilege for me to work on this home because it belongs to the noted Sherpa mountaineer, Pertemba Sherpa, who has summited Mt. Everest three times and has led numerous expeditions in the Himalayas. With continued work on the house, Pertemba proposes to turn it into a center for preservation of the Sherpa culture, that will be open to visitors as a museum as well as for locals to gain insight into their own culture. I had a really great time being in Khumjung--living with my home stay family, working on the Sherpa Heritage House, going around the village and experiencing local culture--but the trek up there and back was an equally great experience. Although the trails were rough on my feet, passing through the most picturesque villages and meeting the friendliest people along the way was all worth it.”
Elle Friend: alumnus from Tibetan Summer 2005
Elle has been back in Nepal since September working with a small NGO called Solutions Benefiting Life (SBL). She works at their project site in Thimi in September at Madhyapur Clay Crafts. SBL trains local potters to produce ceramic water filters impregnated with colloidal silver which are sold locally to improve drinking water by reducing turbidity and removing bacteria and other pathogens. The model also helps the potters to earn extra income in a market that has suffered with the reduced tourism in recent years by manufacturing products for use in their own communities.
Vijaya Dasami, Dasain: October 9, 2008
The great harvest festival of Nepal, Dasain is a time of family reunions, the exchange of gifts and blessings, profuse pujas, ritual bathing and animal sacrifices. It is the most auspicious time for certain Tantric rituals and annual pageants. Dasain honors the goddess Durga, who was created out of the shakti energy of all the gods, armed with weapons from each of them.
Dasain is celebrated all over Nepal and is anticipated with the same eagerness as the Christmas season in the West. We celebrated at Gangi Didi’s house. There was a host of us – Passage students Greg and Katrina, a Boston U student Kaki, and Carolyn and Constantine from the US Embassy, Yanik and Vidhea.
Bhai Tika, Tihar: October 30, 2008
The last day of Tihar is Bhai Puja day, wherein sisters honor and worship their brothers. They thereby emulate the girl Jamuna, who in the myth delayed Yama from taking away her brother by requesting permission to finish her worship of him. Jamuna drew out the ceremony so long that Yama eventually relented and granted a long life to her brother. On this morning sisters paint a multi-colored tika on the brother's forehead, do a puja to him and garland him. Yanik received tika from Gangi Didi and a friend Shannon, and Vidhea tika-ed her older brother PK, Navin and Pravin, and Ghurna. A delicious lunch followed.
Thangka painting
Most paintings are done on flat scrolls, easy to roll up and transport for use in teaching, worship, decoration, or meditation. These scroll paintings are called thangka in Tibetan, paubha in Newari. Though Newari artists produced both types, the two show distinct stylistic differences. Tibetan thangkas have finer lines and brighter colors, and crowd multiple figures into a small space. Paubha use more flowing, natural lines to emphasize the sensuous grace of a single deity, usually Buddhist but sometimes Hindu. Richly detailed miniatures on the border reveal minor gods and scenes of worship or court life. Thangkas are intrinsically religious paintings, meant to manifest any of the hundreds of gods. The same divinity may appear in fierce or peaceful form according to the situation. Or he might appear seated in the middle of a geometric mandala, a formalized design that serves as a meditative device and as visual guide to enlightenment. Other subjects include high lamas and lineage holders of the four main Tibetan Buddhist sects, assemblies of lineage deities, and various mystical beings.

A thangka begins with a white cotton cloth stretched onto a wooden frame, treated with gesso, then sanded until smooth. The central figures are outlined first, then outer scenes fill in the composition. Before the 19th century colors were ground from minerals like azurite, malachite, lapis and cinnabar, or obtained from plants. The expense and trouble of obtaining natural colors means tempera colors are generally used nowadays, resulting in a glossy sheen rather than the traditional smooth matte finish. As a final step, powdered 24-karat gold is made into paint and used to highlight the details of ornaments and robes.
As a final step the finished painting may be consecrated with a ritual to bring it to life. The mantra Oh Ah Hum might be painted behind the forehead, throat, and heart of each main figure to imbue them with the mystic essence of Body, Mind, and Speech. Thangkas are traditionally bordered in brocade and a piece of light silk protects the painting from dust, sunlight, and smoke.
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Atop Swoyambhu is also a small, rectangular building, the inner perimeter of which is lined with white shelves, protected from the visiting public by black iron gates. On the shelves are statues and carvings dug up from beneath the stupa and around it. All of them are breathtaking, but one work caught my attention--and it turned out to be the single piece not from the local area. It was a gift from a museum in Pakistan dating from Ghandara; a seated Hellenistic Buddha. My heart leapt! What a joy to see it...the only one in Nepal, from what Hubert said. And I would never have known! There are too many incredible things about these places to mention, and that's only of what I know, which barely qualifies as a fraction of a fraction of the history.


